Filip Dujardin
FRAME DETAILS & ELEMENTS
Frame
All our frames are manufactured in the USA, using eco-friendly & sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.
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Mat
All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.
Acrylic Glazing
All of our frames come with picture quality mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.
Dimensions
For images up to 30" x 40"
- 1 1/
Ghent, Belgium
WebsiteFilip Dujardin studied History of Art at the University of Ghent, with a specialization in architecture, before studying photography at the Academy of Ghent. After training as a technical assistant for Magnum-photographer Carl De Keyzer, he started a professional collaboration with Frederik Vercruysse. In he established himself as an independent photographer for private and public clients, in the fields of architecture, interior and product design. In he presented Fictions, his first series of independent artworks.
CAB 2 Contribution
Project Overview
Chicago
True to his beginnings as an architecture historian, Filip Dujardin has produced a series of digital prints that focus on the interaction and overlap of urban form, architectural type, and construction detail. His inclusive survey of high-rise construction in Chicago reveals to us the ways in which the image of a city is constructed first and foremost through repetition and consistency. By manipulating the parameters underlying such consensus within the highly recognizable system of the Chicago grid and its architecture, Dujardin proposes a series of transfers or contaminations bet
Filip Dujardin
The Belgian photographer Filip Dujardin has been garnering acclaim lately for his spectacular works employing digital manipulation to create mazelike, gravity-defying architectural compositions—impossible constructions that suggest housing projects designed by M.C. Escher. Now some of the world's most prominent museums are taking notice: his photography is currently on view in the Metropolitan Museum of Art’s landmark exhibition "After Photoshop: Manipulated Photography in the Digital Age," and last month his work was acquired by the Museum of Modern Art to join its permanent collection. We spoke to the artist about his technique, his inspirations, and his attitude towards architectural history.
While you manipulate reality in your work, providing a spectacularly illusionistic effect in many of your photos, your photographs often retain an element of plausibility—in other words the viewer can sometimes believe that these architectural structures are real. Other times, as when an architectural element is floating in mid-air, the compositions are clearly fantastical. How do you strike a balance between these two approaches?
As an architectural photographer I a
Filip Dujardin
Filip Dujardin is fine art and architectural photographer based in Belgium. Dujardin’s Fictions is a series of fictional structures created using a digital collaging technique from photographs of real buildings in and around Ghent, Belgium. Some of his architectural creations are structurally impossible or implausible. Some of the most intriguing buildings seem perfectly ordinary at first glance, revealing their fictional nature as the viewer registers missing or incongruous details.
From
Photographer Filip Dujardin designs architectural wonders in the digital realm. The Belgian artist began as a professional architectural photographer before turning to design in , creating virtual buildings using Google SketchUp—a 3D modeling tool—and Photoshop. At first glance, Dujardin’s photographs of buildings seem almost ordinary, though highly modern, only revealing their structural implausibility upon close examination. He ignores the laws of physics, defying gravity and material, to create exquisite architectural compositions.Source:
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