The Mavericks: 30 Years In The Melting Pot
The Grammy-winning, multi-platinum band The Mavericks. Photo courtesy of The Mavericks
By Steve Houk
The first thing The Mavericks‘ co-founder and drummer Paul Deakin told me when we hooked up to discuss the band’s 30th anniversary of making music was that he and his band had just wrapped up a gig with Los Lobos. I just love that band, they really are a true melting pot of music.”
Well, look in the mirror sir, because that definitely defines your beloved Mavericks to a T as well. And those two bands playing together? Well, there couldn’t be more of a hot, saucy, simmering melting pot than that, two hard working, talented and diverse bands that have made their name on not having a real genre to call their own, who dabble in a slew of different styles yet have managed to keep a dedicated worldwide fan base happy, for over three decades in The Mavericks’ case.
“You know from the beginning, we’ve listened to all types of music, so we bring a bunch of different things to the table,” Deakin said as The Mavericks continue on their 30th Anniversary World Tour with a sold out stop at the Maryland Hall Of Music in Ann
RAUL MALO: VOCALS, GUITAR
PAUL DEAKIN: DRUMS
JERRY DALE MCFADDEN: KEYBOARDS, VOCALS
EDDIE PEREZ: LEAD GUITAR, VOCALS
The Mavericks have always been explorers.
For decades, they've created the kind of multicultural Americana that reaches far beyond America itself, blending their favorite stateside sounds — including rock & roll, country, and R&B — with Tex-Mex twang, Cuban rhythms, Jamaican ska, and other Latin influences. The exploration continues with Moon & Stars, a progressive album that finds Raul Malo and company continuing to push the envelope, exploring the outer orbits of an organic, otherworldly sound that remains entirely their own.
"This record took us to places we've never gone before," says frontman, co-producer, and chief songwriter Malo, whose voice — a booming baritone that continues to age like top-shelf whiskey and fine leather, becoming richer and more pliable with each album — remains one of the band's calling cards. "It's a collection of tales from the universe. We've traveled around the world, gathering new stories and new sounds, and this is what we have to show for it. Moon &
Jerry Dale McFadden
BIO
Jerry Dale McFadden is a member of The Mavericks, an American country music band from Miami, Florida.
The band consists of Raul Malo (lead vocals, guitar), Paul Deakin (drums), Eddie Perez (lead guitar), and Jerry Dale McFadden (keyboards). Malo and Deakin founded the band in along with Robert Reynolds (bass guitar) and Ben Peeler (lead guitar). After one independent album, the band was signed by MCA Nashville Records and David Lee Holt replaced Peeler on lead guitar; he would be replaced by Nick Kane shortly after their second MCA album and third overall 's What a Crying Shame. The band recorded a total of four albums for MCA and one for Mercury Records before disbanding in They reunited for one album in on Sanctuary Records, by which point Perez had become their fourth guitarist, and former touring keyboardist Jerry Dale McFadden became an official fifth member. The lineup of Malo, Deakin, Reynolds, Perez, and McFadden reunited a second time in for a series of new albums, first on Big Machine Records' Valory imprint and then on Mono Mundo. Reynolds was fired in and while he was not officially replaced, Ed Friedland was their touring bass
The Mavericks | Biografie
Er singt wie Roy Orbison. Seine Band fusioniert Country mit Rock and Roll, Tex-Mex und Pop. Beim kubanisch-amerikanischen Sänger Raul Malo und seiner Band The Mavericks denkt man gleichzeitig an Dean Martin, Johnny Cash, die Kumbia Kings und Wilco.
Sie sind die Lieblinge des Feuilletons, treten in der Londoner Royal Albert Hall auf und stehen bei Leuten über vierzig im Plattenregal neben Lucinda Williams und Ryan Adams. Die Mavericks haben sich mit ihrer tanzbaren Spielart des Alternative-Countrys verewigt. Ihre Hits, wie “All You Ever Do Is Bring Me Down”, “Here Comes The Rain” und “Dance The Night Away” laufen immer noch regelmäßig im Radio.
Aufgeregt, naiv und dreist erschienen Malo und Co. zum Ende der er in der Post-Punk-Szene Miamis. Sie traten gemeinsam mit Metal-Newcomern wie Marilyn Manson auf. fuhren sie von Miami Kilometer nach Nordwesten, um in Nashville einen Showcase-Auftritt zu geben, zu dem sämtliche Artist & Repertoire-Manager der Music City hinströmten – ein nach ihnen benanntes, beim Indielabel Cross Three erschienenes Album hatte sie über Florida hinaus zum Geheimtipp gemacht. Danach unterschrieben die Mavericks b
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