Turmbau zu Babel
Turmbau zu Babel
datiert, Künstler/in: Pieter Bruegel d. Ä.
Bruegels monumentale Komposition wurde zum berühmtesten, mannigfach kopierten und variierten Klassiker der Turmbaudarstellungen. Die im Vergleich zum Turm beeindruckend winzige, flämisch anmutende Bebauung der Hafenstadt liefert den Größenmaßstab. Mit Akribie und enzyklopädischem Interesse schildert Bruegel eine Unmenge bautechnischer und handwerklicher Vorgänge. In der steinernen Außenhülle vermischt er antike und romanische Architekturelemente.
Derzeit ausgestellt:Kunsthistorisches Museum, Saal X
Objektbezeichnung
Material/Technik
Maße
Bildmaß: ,4 × ,5 × 3,8 cm
Rahmenmaße: × × 6,5 cm
Signatur
Bez. unten auf einem Quader: BRVEGEL. FE.
Bildrecht
Kunsthistorisches Museum Wien, Gemäldegalerie
Inv. Nr.
Provenienz
Nicolaas Jongelinck; wohl in den Besitz der Stadt Antwerpen übergegangen; Rudolf II.; Slg. Leopold Wilhelm
Meisterwerke - Turmbau zu Babel - Pieter Bruegel, d.A.
La Tour de Babel Brueghel le Vieux Pieter
Dans son tableau intitulé La Tour de Babel, le peintre Pieter Brueghel montre une grande tour au centre d’un paysage panoramique riche en détails. Cette toile est datée de , et appartient aux collections du Kunsthistorisches Museum (musée d’Histoire de l’art) de Vienne. Quelques années plus tard, vers , Brueghel représente une nouvelle fois ce sujet. Le second tableau est aujourd’hui conservé au musée Boijmans Van Beuningen à Rotterdam. L’histoire de la tour de Babel est racontée dans la Genèse, le premier livre de la Bible.
Un sujet biblique
Le livre de la Genèse raconte la création du monde et le destin des descendants d’Adam et Ève. Dans le chapitre 10, Nemrod, fils de Kouch et descendant de Noé – et, dans la tradition juive, initiateur de la construction de la tour de Babel –, est reconnu comme le premier héros sur la terre. Le chapitre 11 évoque le projet de tous les habitants de la terre qui, parlant en ce temps-là le même langage, décident de créer une tour pour toucher les cieux. D’autres textes bibliques mentionnent que hommes et femmes se regroupent alors pour bâtir la tour, pendant 43 ans. Celle-ci est un défi à l’autor
The Tower of Babel, painted by Pieter Bruegel the Elder in , is one of the most iconic and evocative works of Northern Renaissance art. This masterpiece, housed in the Kunsthistorisches Museum in Vienna, vividly depicts the biblical story of humanitys attempt to build a tower reaching the heavens, which ultimately led to divine intervention and the creation of multiple languages. Bruegels intricate and highly detailed rendering of the sprawling, chaotic construction site reflects not only his keen observational skills but also his commentary on human ambition and the hubris of mankind. Through its rich symbolism and stunning craftsmanship, The Tower of Babel continues to captivate and inspire viewers, offering a timeless meditation on the limits of human endeavor and the diversity of human culture.
Key Takeaways
- Bruegel’s The Tower of Babel was painted in and is based on a Biblical story.
- The painting highlights the contrast between human ambition and its ultimate downfall.
- It is currently exhibited at the Kunsthistorisches Museum in Vienna.
Historical Context and the Artists Background
| Artist | Pieter Bruegel the El
Tower of Babel () | Roman Colosseum: A Symbol of Human Hubris The rendering of the tower as a huge structure with spiraling ramps was relatively common in Northern Renaissance art such as book illumination. But the inspiration for other aspects of Bruegel's extraordinary architecture came from the Colosseum in Rome, perhaps by way of early reminiscences and sketches, or the series of prints made by Bruegel's main publisher, Hieronymus Cock. The Roman Colosseum was regarded at the time as a symbol of hubris and of persecution. Or, to put it another way, Rome was the Eternal City, built by the Caesars to last for ever. Its subsequent decay and collapse was understood by Protestants to symbolize the vanity and transience of Man's earthly ambitions and efforts. The Tower is Babylonian in meaning, but Roman in design. His most important forerunner in this respect was Simon Bening - the painter of the miniature of the Babylonian Tower in the Grimani Breviary - who populated the ramps and the environment of the Tower with untold multitudes of workmen and building utensils, and showed Nimrod in a similiarly commanding and slave-driving role. However, the Tower of the
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