Major Baroque Composers
Italy
Claudio Monteverdi (–):
A student of Marc’Antonio Ingegneri in Cremona, Claudio Monteverdi quickly established himself as one of the most significant composers of his time. In he was appointed suonatore di vivuola (viol and/or violin player) to Duke Vincenzo I of Mantua; his third book of madrigals, published in , shows the strong influence of Giaches de Wert, the maestro di cappella in Mantua. Although the several journeys Monteverdi made with the duke in the s seem to suggest that his importance at court was growing, Benedetto Pallavicino was offered de Wert’s post upon its vacancy in Increasingly dissatisfied with the his situation in Mantua, Monteverdi left the court after the Duke’s death, accepting the position of maestro di cappella of St. Mark’s in Venice in Monteverdi wrote some of the most influential compositions of the early baroque, including the famous Vespro della Beate Vergine (Vespers of the Blessed Virgin) and nine books of secular madrigals published between and Monteverdi also composed the earliest operas still performed today, including Orfeo () and L'incoronazione di Poppea.
In addition to writing some of the
Music&#;making was highly prized by many of the princely and kingly courts, and leading musicians would often be financed for their journeys, so to bring back the latest styles and compositions. During the first half of the s, German music adopted the Italian forms of the concerto and sonata, and with them, much of the Italian baroque "vocabulary" together with the latest Italian compositions.
ITALY - and it started in ROME
The papacy returned to Rome in , and after the middle of the 15th century the city became a centre of Renaissance culture. Massive papal patronage of the arts began to enrich Rome. During the papacy (&
Karolina Bäter, playing the recorder as well as the transverse flute established herself as a performer in contemporary and early music.
From on she studied recorder (class of Prof. Walter van Hauwe) at the Conservatory of Amsterdam in the Netherlands where she received the masters degree in with focus on chamber music. In the same year she began her transverse flute studies (class of Prof. Barthold Kuijken) at the Royal Conservatory of The Hague where she specialized in early music and historic performance practice, finishing in with the Bachelor degree.
From until she was member of Renaissance Ensemble "The Royal Wind Music" (conducted by Paul Leenhouts) and recorder quartet “Quartet New Generation”.
Karolina Bäter won prizes at international music competitions such as "Deutscher Musikwettbewerb " in Bonn (), the "International Penderecki Competition" in Cracow () and was finalist at the "International Gaudeamus Competition for Contemporary Chamber Music" in Rotterdam ().
From she was frequently performing in Europe, Ru
From Germany to England � via Italy.
Though his father had intended him for the law, Handel's own musical inclinations seem always to have been clear to him. At the age of 18, in , he traveled to Hamburg, where he took a job as a violinist at the Hamburg Opera and gave private lessons to support himself. He became acquainted with Johann Mattheson (who later chronicled the known events of Handel's life during his stay there) and together they visited Buxtehude in L�beck in that first year. In the new year Handel's first two operas were produced, Almira and Nero.
Whilst in Hamburg, Handel made the acquaintance of Prince Ferdinando de' Medici, son and heir of the Grand Duke of Tuscany, who invited Handel to visit Italy where he spent more than three years, in Florence, Rome, Naples and Venice. By he had reached Rome, where Marquis (later Prince) Francesco Ruspoli employed him as a household musician and where most of Handel's major Italian works were composed. This visit was significant; baroque music, like that of any
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