George bellows paintings monhegan island

Paintings by George Wesley Bellows

image label description collection inventory number catalog code inception location described at URL depicts
Stag at Sharkey's() painting by George Bellows (American, ) Cleveland Museum of Art
8
Cleveland Museum of Artcombat
boxing
boxing ring
boxer
referee
man
New York City
navel
Cliff Dwellerspainting by George Bellows Los Angeles County Museum of Art Los Angeles County Museum of Art
Both Members of This Clubpainting by George Bellows National Gallery of Art National Gallery of ArtRoumanian Girlpainting by George Bellows Samuel Dorsky Museum of Art Samuel Dorsky Museum of Artwoman
The Barricadepainting by George Wesley Bellows Birmingham Museum of Art Birmingham Museum of Art
woman
man
boy
soldier
Germans
Gun
Emma in a Purple Dresspainting by George Bellows Dallas Museum of Art Dallas Museum of ArtEmma S. Bellows
woman
brown hair
chair
jacket
sitting
dress
shoe
Men of the Dockspainting by George Bellows National GalleryNG National Gallery

Summary of George Bellows

At a time when high art was equated with high society, George Bellows found his inspiration in the lives of the working classes; his New York, rendered in broad brushstrokes and impressionistic daubs, was a city under construction and full of hidden bars and alleyways. Under direction of his mentor Robert Henri, Bellows was one of group painters who took the name The Ashcan School. The group found rich subject matter on the streets of the metropolis, treating their everyday urban subject matter with often dark and gestural paintwork. Having found further inspiration on summer visits to Maine, Bellows became known in the later part of his career for a number of striking, sometimes violent, land and seascapes. The second half of his career as a painter was supplemented with a series of lithographs that helped elevate his popularity amongst the American public.

Accomplishments

  • Bellows could be considered something of a revolutionary in the way he exploited the dynamism and energy of his urban surroundings to mount a challenge to the romantic idylls that had, thus far, characterized the country's art directions, such as in American Impressionism.
  • An

    Category:Seascape paintings by George Wesley Bellows

  • George Bellows () Beating Out to Sea, Oil on plywood × ; 97 KB

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  • George Bellows - Gorge and Sea () - Mint 1, × 1,; KB

  • George Bellows - The Sea ().jpg 1, × ; KB

  • George Wesley Bellows - Monhegan Island, Maine ().jpg 1, × ; KB

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  • George Bellows - Rock Reef, Maine - Google Art 4, × 3,; MB

  • George Bellows - Rolling 2, × 2,; MB

  • George Bellows - Sea in Fog ().jpg 1, × ; KB

  • George Bellows - Iron Coast, Monhegan ().jpg 1, × ; KB

  • George Bellows - Sun Shadows ().jpg 1, × 1,; KB

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  • GW Bellows Graue Seejpg 1, × 1,; KB

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  • Lobster Cove, Monhegan, Maine by George Bellows, San Diego Museum of 2, × 2,; KB

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  • George Bellows - Tumble of Waters ().jpg 3, × 2,; KB

  • George Bellows - The Big Dory ().jpg 3, × 2,; MB

  • George Bellows - Evening Blue ().jpg 3, × 2

    By the fall of , Bellows had arrived in New York City, intent on pursuing a career as an artist. He boarded at the YMCA on Fifty-seventh Street and enrolled at the nearby New York School of Art, where he quickly fell under the influence of his teacher Robert Henri (–). Henri urged his students to move beyond the genteel scenes then favored by the conservative members of the National Academy of Design and the American Impressionists to seek out contemporary subjects that might challenge prevailing standards of taste. Responding to Henri's teachings, Bellows focused on the city's impoverished immigrant population. In their originality, thematic range, and varied technique, his early works soon surpassed the efforts of his talented classmates Edward Hopper (–) and Rockwell Kent (–). Bellows paid particular attention to the children who inhabited the squalid and dangerous slums. In complex multifigured compositions brimming with vitality, he captured his subjects' lives on the precarious margins of society.

    George Bellows (American, Columbus, Ohio – New York City). Forty-two Kids, Oil on canvas. 42 x 60 in. ( x cm). Corcoran Gallery of Art, Washington,


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