Nobuhiro nakanishi biography of william

Japanese artist Nobuhiro Nakanishi creates sculptural works that attempt to preserve a singular moment in the natural world, capturing deeply pigmented sunsets and brightly-lit forests in a series he&#;s titled Layer Drawings. To produce the three-dimensional installations, Nakanishi first photographs an environment over a period of time. He then mounts selected images from his documentation on panels of acrylic in chronological order, allowing slight variation from frame to frame.

&#;We are all subject to the passing of time, yet each of us feels and perceives it in our own way,&#; says Nakaniski, &#;Time itself has no shape or boundary and cannot be fixed or grasped. When we look at the photographs in these sculptures, we attempt to fill in the gaps between the individual images. We draw from our physical experiences to fill in missing time and space, both ephemeral and vague. In this series, I attempt to depict time and space as sensations shared by both viewer and artist.&#;

Nakaniski is represented by Yukimo Chiba Associates in Tokyo. You can see more of his layered works on his website.

 

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Solo Exhibitions

QLICK Gallery


Whiteout WINDOW GALLERY MARUNOUCHI, Tokyo
Resonance, Yumiko Chiba Associates, Tokyo


”Memory of smoke” Yumiko Chiba Associates (Tokyo, Japan)
”Vanishment” Mizuho Oshiro Gallery (Kagoshima, Japan)


”RETICULATED TIME” (Kashya Hildebrand Gallery, London)


”Visible Invisible” (Yumiko Chiba Associates viewing room shinjuku, Tokyo)
”Layer Drawings” (Joyce Gallery, Beijing, China)
”Eclipse” (Lot 10, Brussels, Belgium)


“Breath of light” (GALERIE KASHYA HILDEBRAND, Zurich, Switzerland)


“Transparent View” (Aomori Contemporary Art Center, Aomori, Japan)


“TIME+SPACE” (GALERIE KASHYA HILDEBRAND, Zurich, Switzerland)
“Interference” (Gallery Nomart, Osaka, Japan)
“Stripe, Layer Drawing” (Yamane Art Lab. Viewing Room, Fukuoka, Japan)


“Nobuhiro Nakanishi, Halation” (nomart project space, cube & loft, Osaka, Japan)


“Nobuhiro Nakanishi, Inversion Landscape” (nomart project space, cube & loft, Osaka, Japan)
“Saturation” (Osaka Contemporary Art Center, Osaka, Japan)


“Nobuhiro Nakanishi, Pileup Motif” (nomart project space, cube & loft, Osaka, Ja

Standing on the earth, Looking up into the sky-Contemporary artist&#;s views of landscapa, Gunma museum of art Tatebayashi, Tatebayashi, Japan()Isramic art festival(19thedition)-BUNYAN,Department of Culture and Information,Sharjah,UAE()CSP The being of painting and sculpture, Kuwasawa Design school, Tokyo Japan()ACT festival, ACT Center Asia cultual center(ACC), Gwangju, South Korea()Art Stage Shingapore We are asia-Platfroms, Mrina bay sans expo&competiton center, Singapore, Shingapore ()What is print?-Beyond the Border, Ichihara lakeside museum, Chiba, Japan()Visible / Invisible, Toyota Municipal Museum of Art, Aichi, Japan()mukiesa?-Art to Wear, Gallery Nomart, Osaka, Japan()PEKE,Talk session and Exhibition, Gallery Nomart, (,)collection/artist/project Vol.5,Kitakyushu Municipal Museum of Art, Fukuoka,Japan()Invisible City-Anatomy of Toponym, Operation Table, Fukuoka, Japan ( – )BOX, Gallery Nomart, Osaka ( – )Art Museum in Summer Vacation, The Museum of Modern Art, Wakayama, Japan()The7th International Ink Painting Biennial of Shenzhen, Art & Design Gallery, Shenzhen, China ()
In Reticulated Time, on exhibit from 25 April to 14 June at Kashya Hildebrand, London, Japanese artist Nobuhiro Nakanishi presents works from his iconic Layer Drawing and his Stripe Drawing series, exploring the inspiring effects of nature and our perception of it. Nakanishi seeks to uncover a raw beauty within our everyday experience by creating sculptural works that capture and preserve fleeting moments from the natural world. He renders tangible the intangible and seeks to recreate the tactile sensations produced by our surroundings. Suspending these moments in time – a view of a sunrise or a walk through a misty forest – Nakanishi activates our sensory experiences of them: the feel of sunlight on skin, or the smell of mist among the trees.

It is this process of reproducing temporality as a three dimensional object that highlights the provocative contradiction between these solid sculptural objects and the transitory moments they represent. In Light of the Sunrise 2, Nakanishi photographs a sunrise from a fixed point of view, rendering the delicate dance between the rays of the sun and the steady movement of clouds through a series of transparent pictorial surfaces

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