Inspired by Inuit iconography, Fabrice Wittner (previously) describes his latest series as &#;an invitation to enter the polar night.&#; The Northern Lights, a project in which the artist superimposes figures onto the Arctic phenomenon, involves painting with a light source like a torch on an extended-exposure photograph, illuminating those he depicts. Wittner combined this technique with his use of leatherette stencils, which are inspired by archived Inuit images from the early 20th century, to create his complex and layered portrayals. Committed to environmentally friendly processes, Wittner produced his low-pollution cyanotype prints using found and recycled materials, such as scraps of Dilite aluminum plates and pallet wood.
Originally from Alsace, France, the artist is interested in the ways climate change will affect native polar populations. As the sea ice melts and water levels rise, the hunting resources in the area inevitably will be affected, changing daily life for these groups of people.
The interdependency between the lifestyle evolution, global warming, the threat upon wildlife, and the consequences on the northern populations should lead us to reconsider our
FRASER, DONALD, journalist, businessman, and politician; b. or in Scotland; d. 2 Oct. in London, England.
Little is known of Donald Fraser’s origins except that he grew up in Inverness, Scotland, where he was a schoolmate of Alexander Grant Dallas*, future governor of Rupert’s Land, and John Cameron Macdonald, later manager of the London Times. According to a contemporary, Gilbert Malcolm Sproat*, Fraser studied law in youth and then “engaged in business and made money” in Chile and California. He had gone to California in as a special correspondent for the Times to cover the gold-rush. In the spring of , when he heard from returning miners about the Fraser River rush, he decided to go to Victoria, Vancouver Island. He arrived in June armed with an introduction to Governor James Douglas* from the British consul in San Francisco.
Fraser had written his first, enthusiastic account of the British Columbia gold-rush in San Francisco, basing it on interviews with miners, and his optimism was not diminished by his tour of the mining district with Douglas in September His articles appeared periodically in the Times until the fall of and resumed the next y
Witness The Intriguing Light Stencils of Wittner Fabrice
French photographer Wittner Fabrice experiments with long exposure photography combined with cut stencils. These non digital images were painstakingly taken in Vietnam last September, and the result produces amazing images.
via Behance
Born in , Belgium
Lives and works in Dakar, Senegal
Fabrice Monteiro is an Agouda, the descendant of Brazilian slaves with Portuguese names. His background is multicultural: he was born in Belgium, grew up in Benin, and now lives and works in Dakar, Senegal. Monteiro worked as a model for around a decade before becoming a photographer himself in , after meeting the New York based photographer Alfonse Pagano. Photography came naturally to him, first as a professional model, he became aware of the complexity of the composition, the lighting and the posture. Passed behind the lens, Fabrice Monteiro"s images are at the intersection between photojournalism and fashion photography. "The diversity of my origins is my first source of inspiration. Relations between African and Europe have constantly fluctuated between attraction and rejection, empowerment and denial, recognition and anger. They have never been indifferent. The history of the African-European people over the last centuries, that I have inherited the complexity, is my main source of inspiration". The photographic series The Prophecy was begun in , when Monteiro returned to Africa after several years? ab
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