/98—Hans Holbein the Younger is born in Augsburg, Germany. The second son of the painter Hans Holbein the Elder (ca. –), he is trained in his father’s workshop.
—Hans the Younger moves to the Swiss city of Basel alongside his older brother, Ambrosius, and launches his career as an independent painter and print designer the following year.
—Ambrosius, who was also active as an artist, dies. Hans the Younger marries Elsbeth Schmidt-Binzenstock.
—Holbein paints his first portrait of Erasmus of Rotterdam, beginning a decades-long collaboration with the esteemed humanist.
— The artist visits France, likely hoping to obtain a position at the court of King Francis I.
—Equipped with letters of introduction from Erasmus to humanists Pieter Gillis in Antwerp and Sir Thomas More in London, Holbein travels to England via Antwerp. After two productive years, he returns to Basel.
—The turmoil that accompanies the Protestant Reformation and a dearth of significant commissions in Basel lead Holbein to pursue his fortunes once again in England.
—Around this time, Holbein is appointed court painter to King Henry VIII (–). He finds additional patrons among prominent members
Tacitus had never travelled in Germany and his work had precious little to do with reality. Yet many humanists of the Northern Renaissance considered the text a valuable source. At last, the longed-for root of a “Germanic”, northern European character seemed to have come to light, older and allegedly more ‘original’ even than Roman antiquity itself, which was largely informed by the Greek culture before it. However, Tacitus deliberately distorted the facts: He turned the many scattered population groups in north-eastern Europe, who time and again managed to hold the Roman armies in check, into a cohesive, indigenous Germanic people, when they were anything but. According to Tacitus, they were autochthonous, genetically “undiluted”, beer-drinking, somewhat rough in nature, but brave, honest, combative, blond and tall. These fabrications fell on disastrously fertile ground and were to have catastrophic and murderous consequences in the long history of German nationalism – especially during the Nazi period.
Ambrosius Holbein
| German painter Date of Birth: Country: Germany |
Content:
- Ambrosius Holbein the Elder: A German Renaissance Master
- Apprenticeship and Early Career
- Collaboration and Artistic Output
- Legacy and Influence
Ambrosius Holbein the Elder: A German Renaissance Master
Early Life and Artistic RootsAmbrosius Holbein the Elder was born in Augsburg, Germany, to Hans Holbein the Elder, a renowned painter during the transition from Gothic to Renaissance art. His brother, Hans Holbein the Younger, also became a notable painter. The Holbein family workshop provided Ambrosius with his initial training in painting, as well as exposure to jewelry making and engraving.
Apprenticeship and Early Career
In , Ambrosius resided in Stein-am-Rhein, Switzerland, where he worked as an apprentice in Hans Holbein of Isny's workshop on the murals of the Saint George Monastery. He later enrolled in the painters' guild of Basel in and became a citizen of the city in
Collaboration and Artistic Output
In Basel, Ambrosius shared a workshop with his brother, Hans. They received numerous commissions from Basel book publishers for engravings, as well as requests for port
Gum tempera on canvas, mounted on wood, 66 x 49 cm
Akademie der bildenden Künste, Vienna
Oil on wood, 43 x 32 cm
The Hermitage, St. Petersburg
Pine panel, x cm
Öffentliche Kunstsammlung, Basel
Woodcut, 17,8 x 11,8 cm
Öffentliche Kunstsammlung, Basel
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