Baroque Music (ca. ): A Guide to Research and Resources
Oxford Online Bibliographies compile authoritatively selected and annotated citations for key reference works, collected correspondence, biographies, monographs, and articles relating to prominent composers.
Research guides provide detailed listings for a composer's known musical and literary works followed by annotated bibliographies of the secondary literature on the composer's œuvre arranged by genre and important topics in the composer's life, career, and reception history—plus other features such as a genealogies, chronologies, and indexes.
Companions collate major essays by established experts that address key aspects of the composer's career, creative work, style, and critical reception.
- G. F. Handel: A Guide to Research (Online) by Mary Ann ParkerCall Number: Reference (SV) ML .H16 P37 (print version)Sections include: background, Handel's life and his works in general, sources and compositional methods, studies of Handel's music, performance practices and the Handel tradition, and indexes.
- The Cambridge companion to Bach (Online) by John Butt (editor)Call Numbe
Many people wonder why classical music still feels so powerful today. The Baroque era, spanning from to , gave us some of the most dramatic and expressive music ever written.
This blog will explore famous Baroque composers like Johann Sebastian Bach and Antonio Vivaldi, whose innovations shaped modern classical music. Discover how their legacy continues to inspire.
Key Takeaways
- Baroque music, from to , introduced major/minor key systems and emotional expression. Composers like Johann Sebastian Bach and Antonio Vivaldi were pivotal.
- Key figures such as Bach, Vivaldi, Handel, Purcell, and Monteverdi contributed innovative techniques. Their works include The Brandenburg Concertos, The Four Seasons, and Messiah.
- This eras music influences modern genres with its elaborate ornamentation and development of tonality. Todays musicians still perform Baroque pieces widely.
- The transition from modes to the Major/Minor key system during the Baroque period added complexity to musical compositions.
- Modern adaptations of Baroque music show its lasting appeal across different audiences worldwide, maintaining relevance in both classical and conte
Major Baroque Composers to Know for Music History – to
The Baroque period, from to , showcased remarkable composers who shaped music's evolution. Key figures like Bach, Handel, and Vivaldi pushed boundaries, blending styles and creating lasting works that defined the era's rich musical landscape.
Johann Sebastian Bach
- Master of counterpoint and harmony, known for intricate polyphonic textures.
- Composed significant works including the "Brandenburg Concertos" and "The Well-Tempered Clavier."
- His music embodies the culmination of the Baroque style, influencing future generations of composers.
George Frideric Handel
- Renowned for his operas, oratorios, and instrumental compositions, particularly "Messiah."
- His ability to blend German, Italian, and English musical styles made him a versatile composer.
- Pioneered the English oratorio, making it a popular form in the 18th century.
Antonio Vivaldi
- Best known for "The Four Seasons," a set of violin concertos that depict the seasons of the year.
- His innovative use of ritornello form and vibrant orchestration influenced the concerto genre.
- A key figure in the de
At the end of , year-old Sebastian took up his post at the small town of Arnstadt, no doubt thrilled at having his own relatively large organ of two manuals and 23 speaking stops, and the responsibility of providing music for his own congregation. Though the present organ is not "Bach's", the original manuals, stops and pedals of Bach's organ are displayed in the Palm Haus Museum of this quiet historic little town, where the house in which Bach lodged can also be seen.
In October , the Church Council granted Bach leave to visit the north-German city of Lübeck to hear the great organist, Dietrich Buxtehude. In Lübeck he took every chance to hear Buxtehude play, and to attend the famous evening concerts in the Marienkirche when Buxtehude's church cantatas were performed. Bach was so fascinated by these concerts, and by his discussions on the arts with the great master, that he remained in Lübeck over Christmas until the following February.
He returned to Arnstadt three months late, having also visited Reincken in Hamburg and Böhm in Lüneburg on the way, full of new ideas and enthusiasm which he immediately put into practice in his playing. The congreg
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